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	Search results for (Visible    Refine your search Creator 1 () 1 () 1 () 1 () 1 () Show more... results 1-20 of 31 item(s)  page 1 of 2 : ( <<  1  2  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 1. [Bookplate] A lion rampant holding a stemmed (slipped) rose above the entwined letters G or C and H, through which is woven a banner with the Latin phrase. The bookplate is rendered in some kind of red ink, which is raised from the paper both from embossing (visible on the back) and a way that the ink itself is raised from the paper. 2. [Bookplate for Dorothy C. Heney by Clifford H. Brown] Black ink on buff paper. The image depicts a young girl holding hands with a book, pushing open the gates of Fairy Land, toward a castle in the background. Plate lines are visible around the bookplate image. It is signed by the illustrator. Pictorial. 3. [Bookplate for Stanley Harrod by T. Z.] Black ink on white paper. Image has overall appearance of watercolour. There is text printed in sans serif capitalized black font in the top left and top right corners. The bookplate background is a multihued pale gray. The image depicts a street in Bruges. A stone church is in the background, with a tall, pointed tower. A lower part of the church is visible, with upper level balconies visible. The windows are decorated at the top with crosses. To the right of that part of the building is the roof of another building, also decorated with crosses at the uppermost part of the roof. A couple other towers are visible in the distance behind these buildings. At the forefront of the image is a dark bridge/archway. Through the archway are several trees in the church yard. The arch itself has a round decorative feature in the center. The left hand side of the arch is lighter, with two round stone towers extending up. The central part of the bridge/arch and the buildings on the right hand side are in shadow. The building on the right hand side is shorter and squarer, with a window by the top of the arch and a rounded door on the ground. There is shading in front of the archway that then lightens. In the lightened portion is printed capitalized, black text in serif font. In the bottom right corner are overlapping letters, a Z and a T. 4. [Bookplate for Hill’s Library] Black ink on yellowing paper. Typewritten text in capital letters and bold followed by sentence case letters in varying serif font sizes. There is a thin line with stylized dots in the centre separating text. Below the line, text is written in large, capitalized, bold serif font. Below that is text written in bold, sentence case. Text is then written in non-bold capital letters. There is a thicker, stylized line with three dots in the centre separating text. Below the line is text written in capital sans serif font, followed by text in smaller, bold sans serif font. Further text is right aligned and written in italicized serif font. Text is then written in capital and sentence case serif font in multiple sizes with section separated by dots. Graphic of hand with index finger pointing right is next to capital, sans serif font. A squared squiggled line is below the finger graphic and above faded text in serif font. Below that is serif font in capital letters and then bold serif font in bold letters. That is separated from bold, capital, serif font with a squared, squiggled line. The following serif font is bold. Below that is larger, bolder serif-font. The following text is written in smaller sentence case and capitalized serif font. Below that is sentence case serif font, followed by larger sans serif font and then bold, capitalized, serif font. The last part of the text is written in sentence case serif font. Handwritten notes cover some of the typewritten text on the right side of the bookplate until approximately halfway down the bookplate. The bottom two corners of the bookplate have been cut off. The bookplate appears to be printed on top of a newspaper or magazine clipping, the recto of which is slightly visible through the bookplate. Black ink serif font text and some imagery are visible. The verso of the bookplate is clearly the other printed side of the magazine or newspaper with serif fonts in bold capital letters and non-bold sentence case letters. The recto of the original print is also slightly visible from the verso side. 5. [Bookplate for Canadian School of Missions] Bookplate design consists of a bible beneath a map of the world shaped as a heart. Bookplate text is contained within scroll beneath bible. Grape leaves and grapes pictured in background. Entire bookplate design encased in a frame. 6. [Bookplate for Charles Fyfe by R. P.] Bookplate printed in black ink, with a purple/blue ink, rubber-stamped annotation. This ex-libris depicts a woman reading to a young boy on a park or garden bench. The idyllic landscape behind them features a lake with two swans swimming in it. Further in the distance is a forest with the silhouettes of two figures standing among the trees and large dramatic clounds sweeping by in the background. 7. [Bookplate for James Lee] Brown and red ink on cream paper. A thick brown border surrounds the bookplate. Inside is a thin red border. Underneath the top of the red border are two leaves printed on the left and right side of block, capitalized, serif text. At the base of the red border, text is printed in the same block letters in a slightly larger size. There is a second thin red border within the first one, inside of the block text. Inside this border is the image of a man sitting indoors reading a book. The man has long hair tied with a bow in the back and is wearing a long dark coat and large pants cropped at the knee. He also has simple shoes with bows on his feet. He is sitting in a large wooden chair and smoking a pipe. Behind him to the right is a window with diamond patterns. To the left of the window is a small frame with little detail. The man and his chair are in profile. In front of them, half a round table is visible. A small vase and a thin glass are atop the table. At the man’s feet, a small black cat lies curled atop a closed book. 8. [Bookplate for Norman H. Friedman by A. G. Racey] Brown ink on cream paper. A man is seated in a wing chair by the fire, wearing slippers and reading a book ; his face is not visible but his pipe pokes out from behind the chair. A fire is roaring in a brick fireplace behind him, with a bust labeled 'Kipling' on the mantelpiece ; the mantel is inscribed with the words 'Be a reader but not a book keeper' with initials below the quote that appear to read A.G.A. In the foreground, there are piles of books and manuscripts and a small dog. 9. [Bookplate by Herbert Raine] In black ink on paper with visible fibers and laid lines. Etched image includes recessed borders and boxes surrounding the stylized initials, H R, the name, 'HERBERT RAINE,' and two mirrored images of seahorses. 10. [Bookplate for Ecole polytechnique] In black ink on thick pink paper with visible laid lines. Image includes a rectangular decorative border consisting of straight lines at the sides and more elaborate patterns in the corners surrounding 20 lines of text. 11. [Bookplate] In black ink on thin, white paper with visible chain and laid lines, an elaborate border surrounds the institution name and number. 12. [Bookplate for Alexander Fawcett Reid] In black ink on white paper with visible chain and laid lines, a decorative border surrounds the image of a ship. 13. [Bookplate for Nancy Stuart Reid] In black ink on white paper with visible chain and laid lines, two children sit reading under a tree. The paper also includes a watermark: 'NADA / Byron'. 14. [Bookplate for Familie Mezler and Michael B. Kunze] In black ink, an unusual heraldic symbol with a helmet in the centre of the image. Protruding from the top of the helm are what appear to be two horns. Between the horns is the figure of a woman whose hands grasp the horns. From both side of the helm, and from below, flows extensive mantling flowing out and down framing another image of a woman, identical to the first, except that her skirt is now visible. 15. [Bookplate for Charles Gery Milnes] In black ink, this bookplate consists of an escutcheon divided quarterly, and contains an inescutcheon at the fess point. The first and fourth quadrants of the escutcheon, azure (blue), contain a chevron, argent (silver), charged with three millrinds. The first quadrant differs from the fourth in that only two millrinds are visible, as one is covered by the inescutcheon, and it contains a canton at the dexter chief, or (gold), charged with a trefoil, sable (black). The second and third quadrants, gules (red), are charged with three lion heads, two over one, and contain a fess, argent and engrailed, charged with two escallopes, azure. The inescutcheon, gules, contains two bars, argent, charged with three mascles (open faced lozenge) each, gules ; and a canton at the dexter chief, or, charged with a roundlet, hurts (azure). The escutcheon's crest is a straight wreath, topped by a ducal coronet and an elephants head, dexter and erased, with tusks. 16. [Bookplate for Lieve Van Kerkhove and Martin Jackson] In black ink, this pictorial contemporary bookplate consists of a nude female, seated in a wood boat which is too small relative to her size. The nude's knees are up, her legs spread open, and her feet and buttocks rest on the outer edges of the craft (only her left foot and left buttock are visible). Extending from inside the boat upwards into the air, and held by the nude's right hand, is a larger-than-life fountain pen. The nude's left arm descends behind her raised knee, and emerges from behind the left buttock as a hand holding the stem of a rose ; the hand and rose appearing somewhat disconnected from the rest of the body. Resting between her legs, seen as almost emerging from the pubic region, is a cat with upraised tail and paws which rest on the bow of the boat. Below the cat, on the port side of the boat is an image of a lyre. In the turbulent river which surrounds the boat, one can see additional rose blossoms floating on the surface of the water. In the background, there is an automobile crossing a stone bridge and a large stone church with steeples on the left. One can see a flock of birds flying above the church's western steeple. In the background on the right, one can see the church's cemetery. 17. [Bookplate for Eugene Charters and Stella Charters] In black ink. This bookplate displays the silhouette of a large galleon in full sail. Below the ship is written ex-libris and the names of the originators. The nautical motif and text are framed by a flowering vine border. In each corner appears a small framed image including, an evergreen, an open-book, a seated dog and a pair of theatrical masks. 18. [Bookplate for Arena Concessions] In blue ink on ivory paper. Preprinted dotted and solid lines are present between the text. A red imprint, caused by prolonged contact with another bookplate, is clearly visible on the back and bleeds through to the front of the ivory paper. 19. [Bookplate for Heinrich Teuscher by K. Kleindienst] In brown ink on cream coloured paper with visible chain and laid lines, a plane is pictured above an image of a building, all of which is surrounded by a floral border, architectural features, and a gardener with a bag. 20. [Bookplate for M. J. Freie] Pictorial bookplate created with black ink on ivory paper. A clock tower is visible through a stone, oval, window. In the upper right and left corners are shields: On the left side is an or shield with a displayed double-headed bird ; on the chest of the bird is an argent shield with a vert fess. The shield on the right side is sable with a ship. In the bottom right corner is an owl perched atop books and in the left corner is a painter's pallet and brushes. select all : clear all : add to favorites results 1-20 of 31 item(s)  page 1 of 2 : ( <<  1  2  >> ) :: previous : next
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